{"id":1880,"date":"2021-01-21T23:37:12","date_gmt":"2021-01-21T22:37:12","guid":{"rendered":"https:\/\/www.vframe.pl\/irsa1\/?page_id=1880"},"modified":"2021-02-11T09:23:46","modified_gmt":"2021-02-11T08:23:46","slug":"publications-by-dr-jozef-grabski","status":"publish","type":"page","link":"https:\/\/www.irsa.com.pl\/index.php\/director-jozef-grabski\/publications-by-dr-jozef-grabski\/","title":{"rendered":"PUBLICATIONS"},"content":{"rendered":"\n

PUBLICATIONS BY DR J\u00d3ZEF GRABSKI<\/h2>\n\n\n\n

(trans.), Gopal Singh: \u201eOto historia cz\u0142owieka…; A gdy pytano Go sk\u0105d otrzyma\u0142…, \u2018Nadejdzie czas..\u2019.\u201d, Tygodnik Powszechny<\/em>, 1975, p. 5 <\/p>\n\n\n\n

\u201eParareligijno\u015b\u0107 Amerykan\u00f3w\u201d, W drodze<\/em>, VII, 1976, pp. 92\u2013101<\/p>\n\n\n\n

\u201eMundus amoris \u2013 amor mundus. Tycjana alegoria mi\u0142o\u015bci z Luwru\u201d, in O ikonografii \u015bwieckiej doby humanizmu<\/em>, ed. J. Bia\u0142ostocki, Warsaw, 1977, pp. 245\u2013280<\/p>\n\n\n\n

\u201eLeon Chwistek und sein \u2018Strefismus\u2019 in der Malerei\u201c, Alte und Moderne Kunst<\/em>, 1977, vol. 22, no. 154\u2013155, pp. 48\u201351<\/p>\n\n\n\n

\u201cIl quadro alchimistico di Angelo Caroselli nella Fondazione Roberto Longhi a Firenze\u201d, Paragone<\/em>, 1978, no. 341, pp. 3\u201313<\/p>\n\n\n\n

\u201eWizerunki rodziny kr\u00f3lewskiej Zygmunta I Starego na medalach Jana Marii Padovano z 1532 r. w dawnej kolekcji ksi\u0105\u017c\u0105t d\u2019Este w Modenie\u201d, Wiadomo\u015bci Numizmatyczne<\/em>, vol. XXII, 1978, no. 1, pp. 22\u201333<\/p>\n\n\n\n

\u201e \u2018Opus alchemicum\u2019. Tre\u015bci alchemiczne w renesansowym obrazie weneckim z Muzeum Narodowego w Krakowie. (Rzekome \u2018Znalezienie grobu \u015bw. Izydora Oracza i jego \u017cony\u2019)\u201d, Biuletyn Historii Sztuki<\/em>, vol. 41, 1979, no. 1, pp. 43-54<\/p>\n\n\n\n

\u201cL\u2019Amor-Pantheos di Donatello\u201d, Antologia di Belle Arti<\/em>, 1979, no. 9\u201312 (December), pp. 23\u201326<\/p>\n\n\n\n

\u201cLe immagini del re di Polonia Sigismondo I e della famiglia reale sulla serie di medaglie del 1532 di G. M. Mosca detto Il Padovano nella collezione gia Estense a Modena\u201d, in Italia, Venezia e Polonia tra Medio Evo e Eta moderna<\/em>, a cura di V. Branca e S. Graciotti, Firenze, 1980, pp. 571\u2013584<\/p>\n\n\n\n

\u201cIl \u2018Giovane con la lampada\u2019 di Lorenzo Lotto\u201d, Antologia di Belle Arti<\/em>, 1980, no. 15\/16, pp. 145\u2013148<\/p>\n\n\n\n

\u201cThe Group of Paintings by Tintoretto in the \u00abSala Terrena\u00bb in the Scuola di San Rocco in Venice and Their Relationship to the Architectural Structure\u201d, Artibus et Historiae<\/em>, 1980, no. 1, pp. 115\u2013131<\/p>\n\n\n\n

\u201c\u00abMundus Amoris \u2013 Amor Mundus\u00bb. L\u2019allegoria dell\u2019amore di Tiziano nel Museo del Louvre\u201d, Artibus et Historiae<\/em>, 1980, no. 2, pp. 43-61<\/p>\n\n\n\n

\u201c \u2018La fuga in Egitto\u2019 nella scuola di San Rocco a Venezia. Un contributo alla ricostruzione del processo artistico del Tintoretto\u201d, Prospettiva<\/em>, 1980, no 21 (April), pp. 84\u201388<\/p>\n\n\n\n

\u201cSul rapporto tra rittratto e simbolo nella rittrattistica del Lotto. Il giovane con la lampada, Il ritratto triplice e Il uomo trentasettenne\u201d, in Lorenzo Lotto, Atti del Convegno Internazionale di Studi per il V centenario della nascita (Asolo, 1980)<\/em>, a cura di p. Zampetti e V. Sgarbi, Treviso, 1981, pp. 383\u2013392<\/p>\n\n\n\n

\u201cPerfectionis Vanitas\u201d, in Scritti di storia dell\u2019arte in onore di Federico Zeri<\/em>, Milano, 1984, pp. 709\u2013717<\/p>\n\n\n\n

\u201cOn Seicento Painting in Naples: Some Observations on Bernardo Cavallino, Artemisia Gentileschi, and Others\u201d, Artibus et Historiae<\/em>, 1985, no. 11, pp. 23\u201363<\/p>\n\n\n\n

\u201cRime d\u2019Amore di Paris Bordone: strutture visuali e poesia rinascimentale\u201d, in Paris Bordon e il suo tempo<\/em>, ed. G. Fossaluzza, Treviso, 1987<\/p>\n\n\n\n

\u201cThe Corsini Flagellation Group by Alessandro Algardi\u201d, Artibus et Historiae<\/em>, no 16, 1987, pp. 9\u201323<\/p>\n\n\n\n

\u201ePrzedmowa\u201d [preface], in Opus sacrum. Wystawa ze zbior\u00f3w Barbary Piaseckiej Johnson<\/em>, exh. cat. Zamek Kr\u00f3lewski w Warszawie, ed. J. Grabski, Warsaw, 1990, pp. 8\u20139<\/p>\n\n\n\n

Andrzej Rottermund, J\u00f3zef Grabski, \u201eKolekcje dzie\u0142 sztuki w Polsce\u201d, in Opus sacrum. Wystawa ze zbior\u00f3w Barbary Piaseckiej Johnson<\/em>, exh. cat. Zamek Kr\u00f3lewski w Warszawie, ed. J. Grabski, Warsaw, 1990, pp. 14-17<\/p>\n\n\n\n

\u201eEinleitung zur Ausstellung Opus sacrum\u201c, in Opus sacrum. Europ\u00e4ische Kunst des 13. bis 18. Jahrhunderts aus der Privatsammlung von Barbara Piasecka Johnson<\/em>, ed. J. Grabski, Liechtensteinische Staatliche Kunstsammlung, Vaduz, 1991, pp. 6-7<\/p>\n\n\n\n

J\u00f3zef Grabski, Jacek Purchla, \u201cIntroduction\u201d, in Jan Vermeer van Delft (1632\u20131675). <\/em>St. Praxedis<\/em>, exh. cat. Zamek Kr\u00f3lewski na Wawelu, Vienna\u2013Cracow, 1991, p. 5<\/p>\n\n\n\n

\u201cPreface\u201d, in Leonardo da Vinci (1452\u20131519). Lady with an Ermine from the Czartoryski Collection, National Museum, Cracow<\/em> (publication accompanying the exhibition \u201cCirca 1492. Art in the Age of Exploration\u201d, National Gallery of Art, Washington, D.C.), Vienna\u2013Cracow, 1991, p. 5<\/p>\n\n\n\n

\u201eJacek Malczewski \u2013 nowe aspekty tw\u00f3rczo\u015bci\u201d, in Jacek Malczewski, Czes\u0142aw Rzepi\u0144ski, Juliusz Joniak, Jan Szancenbach \u2013 Malarstwo. Wystawa ze zbior\u00f3w krakowskich Rotarian i ich rodzin<\/em>, Pa\u0142ac Sztuki TPSP, Cracow, October 1996; March\u2013May 1999<\/p>\n\n\n\n

\u201eTw\u00f3rczo\u015b\u0107 malarska Anny Kostenko\u201d, in Anna Kostenko. Malarstwo<\/em>, exh. cat. Pa\u0142ac Sztuki TPSP w Krakowie, Cracow, 1998<\/p>\n\n\n\n

\u201ePrzes\u0105czy\u0107 kolor \u015bwiatem, a lini\u0105 podkre\u015bli\u0107 kszta\u0142t… Europejski rodow\u00f3d oraz swojska tradycja w tw\u00f3rczo\u015bci malarskiej Juliusza Joniaka\u201d, in Juliusz Joniak. Malarstwo<\/em>, exh. cat. Pa\u0142ac Sztuki TPSP w Krakowie, 15 May\u201314 June 1998, Cracow, 1998, pp. 15\u201328<\/p>\n\n\n\n

\u201cJewish Artists from Poland in the Circle of \u2018\u00c9cole de Paris\u2019. Wojciech Fibak\u2019s Collection\u201d, in \u00c9cole de Paris. <\/em>Jewish Artists from Poland. The Wojtek Fibak\u2019s Collection<\/em>, ed. J. Grabski, exh. cat. Pa\u0142ac Sztuki TPSP w Krakowie, July\u2013August 1998, pp. 7\u201310<\/p>\n\n\n\n

\u201cJewish Artists from Poland in the Circle of \u2018\u00c9cole de Paris\u2019. Wojciecha Fibak\u2019s Collection\u201d, in \u00c9cole de Paris. <\/em>Jewish Artists from Poland. The Wojtek Fibak\u2019s Collection<\/em>, ed. J. Grabski, exh. cat. Pa\u0142ac Pozna\u0144skich \u2013 Muzeum Historii Miasta \u0141odzi, 1998\u20131999, pp. 11\u201314<\/p>\n\n\n\n

\u201eWst\u0119p\u201d, in Stasys 50<\/em>, exh. cat. Pa\u0142ac Sztuki TPSP w Krakowie, ed. J. Grabski, Cracow, 1999, pp. 7\u20138<\/p>\n\n\n\n

\u201eStasys 50\u201d, in Stasys 50<\/em>, exh. cat. Pa\u0142ac Sztuki TPSP w Krakowie, ed. J. Grabski, Cracow, 1999, pp. 9\u201317<\/p>\n\n\n\n

\u201c \u2018VICTORIA AMORIS\u2019: Titian\u2019s Venus of Urbino. A Commemorative Allegory of Marital Love\u201d, Artibus et Historiae<\/em>, 1999, no. 40, pp. 9\u201333<\/p>\n\n\n\n

\u201eWst\u0119p \u2013 nowe \u017ar\u00f3d\u0142a do bada\u0144 nad Panoram\u0105 Rac\u0142awick\u0105\u201d, in Ma\u0142a Panorama Rac\u0142awicka Wojciecha Kossaka i Jana Styki<\/em>, exh. cat. Muzeum Okr\u0119gowe w Tarnowie, Muzeum Narodowe Ziemi Przemyskiej w Przemy\u015blu, 2001\u20132002, ed. J. Grabski, Cracow, 2001, pp. 7\u20138<\/p>\n\n\n\n

\u201eWst\u0119p \u2013 nowe \u017ar\u00f3d\u0142a do bada\u0144 nad Panoram\u0105 Rac\u0142awick\u0105\u201d, in Ma\u0142a Panorama Rac\u0142awicka Wojciecha Kossaka i Jana Styki<\/em>, exh. cat. Muzeum G\u00f3rno\u015bl\u0105skie w Bytomiu, 2002, ed. J. Grabski, Cracow, 2002, pp. 7\u20138<\/p>\n\n\n\n

\u201cAleksander Kobzdej\u2019s Struggle with Matter\u201d in Aleksander Kobzdej. Struggle with Matter<\/em>, exh. cat. Galeria Polskiego Domu Aukcyjnego \u201eSZTUKA\u201d, ed. J. Grabski, Cracow\u2013Warsaw, 2002, pp. 9\u201411<\/p>\n\n\n\n

\u201eZaginiony \u2018Portret m\u0142odzie\u0144ca\u2019 Rafaela ze zbior\u00f3w XX. Czartoryskich w Krakowie. Ze studi\u00f3w nad typologi\u0105 portretu renesansowego\u201d, in Rafael i jego spadkobiercy. Portret klasyczny w sztuce nowo\u017cytnej Europy. Materia\u0142y sesji naukowej<\/em>, ed. S. Dudzik, T. J. \u017buchowski, Toru\u0144, 2003, (= Sztuka i Kultura, 4), pp. 221\u2013261 <\/p>\n\n\n\n

\u201ePrzedmowa\u201d, in Beata Sarapata. \u015alady przodk\u00f3w. <\/em>Malarstwo<\/em>, exh. cat., ed. J. Grabski, Cracow, 2004, p. 5<\/p>\n\n\n\n

\u201cThe Lost Portrait of a Youth from the Collection of the Princes Czartoryski Family in Cracow. From the Studies on the Typology of the Renaissance Portrait\u201d, Artibus et Historiae<\/em>, 2004, no 50, pp. 43\u201361<\/p>\n\n\n\n

\u201cThe Transmissive Function of the Fine Arts: Some Observations on the Power and Function of Art in the Past and in the Age of Multimedia\u201d, in Transcedence of Arts and the Development of Civilizations<\/em> (Proceedings of the Conference \u201cBeijing Forum 2008\u201d) November 7th<\/sup>\u20139th, 2008, Beijing, 2008, pp. 85\u201393<\/p>\n\n\n\n

\u201cThe Transmissive Function of the Fine Arts: Some Observations on the Power and Function of Art in the Past and in the Age of Multimedia\u201d, in The Harmony of Civilizations and Prosperity for All \u2013 The Universal Value and the Development Trend of Civilization. Selected Papers of Beijing Forum 2008<\/em>, Beijing, 2009, pp. 124\u2013129<\/p>\n\n\n\n

\u201cPortret Katarzyny Cornaro w obrazie Adoracja Dzieci\u0105tka Lorenza Lotto w zbiorach Muzeum Narodowego w Krakowie\u201d, in Polska i Europa w dobie nowo\u017cytnej \/ L\u2019Europe moderne: nouveau monde, nouvelle civilisation? \/ Modern Europe \u2013 New World, New Civilisation? Prace naukowe dedykowane Profesorowi Juliuszowi A. Chro\u015bcickiemu<\/em>, Warsaw, 2009, pp. 447\u2013458<\/p>\n\n\n\n

\u201cAntonio Canova, Portret m\u0142odego Henryka Lubomirskiego \/ Portrait of Henryk Lubomirski as a Boy\u201d, in Uroda portretu. Polska od Kobera do Witkacego, exh. cat. The Royal Castle in Warsaw<\/em>, eds. p. Mrozowski, A. Rottermund, Warsaw, 2009, pp. 180\u2013183<\/p>\n\n\n\n

\u201cDignitas figurae. Andrea Mantegna: interrelazioni fra la scultura e la pittura\u201d, in Mantegna e Roma. L\u2019artista davanti all\u2019antico<\/em>, ed. by T. Calvano, C. Cieri Via, L. Ventura, Rome, 2010, pp. 303\u2013338<\/p>\n\n\n\n

\u201cThe Portrait of Caterina Cornaro in Lorenzo Lotto’s Adoration of the Christ Child<\/em> in the National Museum in Cracow\u201d, Artibus et Historiae<\/em>, no 61, 2010, pp. 191\u2013208<\/p>\n\n\n\n

\u201c \u2018Jaki Pi\u0119kny\u2019. Tchnienie w materi\u0119: b\u00f3l przetwarzania i metamorfozy\u201d, in Bronis\u0142aw Krzysztof. Rze\u017aba-medale-szkice-ma\u0142e formy-obiekty sztuki<\/em>, Bielsko Bia\u0142a, 2010<\/p>\n\n\n\n

\u201cKolekcjonerzy polscy i polskie prywatne zbiory dzie\u0142 sztuki na tle kolekcjonerstwa mi\u0119dzynarodowego: przypadki i tendencje\u201d, Kronika Zamkowa<\/em>, 59\u201369, 2010, pp. 61\u201370<\/p>\n\n\n\n

\u201cPolish Renaissance Art and the Art of the Renaissance in Poland\u201d, in Poland\u2013China. Art and Cultural Heritage<\/em>, ed. J. Wasilewska, Cracow, 2011, pp. 37\u201346<\/p>\n\n\n\n

\u201cThe 30th anniversary of the IRSA Institute for Art Historical Research\u201d, in History of Art History in Central, Eastern and South-Eastern Europe<\/em>, vol. II, ed. J. Malinowski, Toru\u0144 2012, pp. 89\u201393<\/p>\n\n\n\n

\u201cIl ruolo del ritratto nelle opere narrative e religiose di Sebastiano del Piombo: fra Raffaello e Michelangelo\u201d, Konsthistorisk Tidskrift<\/em>, no 4, LXXXI, 2012, pp. 238\u2013244<\/p>\n\n\n\n

\u201cThe Contribution of Collaborators in Titian\u2019s Late Works\u201d, Artibus et Historiae<\/em>, no 67, 2013, pp. 285\u2013310<\/p>\n\n\n\n

The \u201cMadonna Della Rovere\u201d: Raphael in the Workshop of Pietro Perugino<\/em>, Rome, 2015<\/p>\n\n\n\n

\u201cJerzy Tch\u00f3rzewski \u2013 malarz poeta\u201d, in Jerzy Tch\u00f3rzewski<\/em>, exh. cat., Warszawa, 2015, pp. 5\u201321. <\/p>\n\n\n\n

\u201cThe Madonna della Rovere<\/em>: Raphael in the Workshop of Pietro Perugino\u201d, Artibus et Historiae<\/em>, no 71, 2016, pp. 91\u2013123<\/p>\n\n\n\n

The Significance of Shape and Colour. Essays on Art, Mostly of the Italian Renaissance<\/em>, Cracow, 2016<\/p>\n\n\n\n

\u201cThe Iconography of St. Francis in the Work of El Greco and His Workshop: Typology, Variants, Derivatives\u201c, in Art in the Time of El Greco<\/em>, ed. A. Witko, Cracow, 2016, pp. 103\u2013120<\/p>\n\n\n\n

\u201cBernini\u2019s bronze medallion portrait of pope Clement X: some problems of workshop and collaboration\u201d, in Velis quod possis: studia z historii sztuki ofiarowane profesorowi Janowi Ostrowskiemu<\/em>, ed. A. Betlej, K. Brzezina-Scheuerer, A. Dworzak, M. Fabia\u0144ski, P. Krasny, M. Kurzej, D. Nestorow, Krak\u00f3w, 2016, pp. 361\u2013365<\/p>\n\n\n\n

\u201cPrzedstawienia \u015bw. Franciszka w tw\u00f3rczo\u015bci El Greca i jego warsztatu: typy, wariany, na\u015bladownictwa\u201d, in Ars sacra El Greca: w 100-lecie niepodleg\u0142o\u015bci i muzeum<\/em>, ed. R. Miero\u0144czuk, Siedlce, 2018, pp. 66\u2013101<\/p>\n\n\n\n

\u201cJerzy Tch\u00f3rzewski: Painter Poet\u201d, in Suffering Form. Jerzy Tch\u00f3rzewski. Painting. Text<\/em>, eds. K. Czerni, J. Grabski, Cracow 2020, pp. 133\u2013152<\/p>\n\n\n\n

\u201cPer il processo creativo di Antonio Canova: il caso del ritratto scultoreo del giovane principe Henryk Lubomirski commissionato dalla principessa Izabela El\u017cbieta Lubomirska\u201d, in Amica veritas. <\/em>Studi di Storia dell\u2019arte in onore di Claudio Strinati<\/em>, ed. A. Vannugli, Roma, 2020, pp. 245\u2013252<\/p>\n","protected":false},"excerpt":{"rendered":"

PUBLICATIONS BY DR J\u00d3ZEF GRABSKI (trans.), Gopal Singh: \u201eOto historia cz\u0142owieka…; A gdy pytano Go sk\u0105d otrzyma\u0142…, \u2018Nadejdzie czas..\u2019.\u201d, Tygodnik Powszechny, 1975, p. 5 \u201eParareligijno\u015b\u0107 Amerykan\u00f3w\u201d, W drodze, VII, 1976, …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1876,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ub_ctt_via":""},"featured_image_src":null,"_links":{"self":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/pages\/1880"}],"collection":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/comments?post=1880"}],"version-history":[{"count":3,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/pages\/1880\/revisions"}],"predecessor-version":[{"id":2109,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/pages\/1880\/revisions\/2109"}],"up":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/pages\/1876"}],"wp:attachment":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/media?parent=1880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}