{"id":2392,"date":"2021-02-14T09:04:00","date_gmt":"2021-02-14T08:04:00","guid":{"rendered":"https:\/\/www.irsa.com.pl\/?p=2392"},"modified":"2021-02-19T09:19:51","modified_gmt":"2021-02-19T08:19:51","slug":"jozef-grabski-the-significance-of-shape-and-colour-essays-on-art-mostly-of-the-italian-renaissance","status":"publish","type":"post","link":"https:\/\/www.irsa.com.pl\/index.php\/2021\/02\/14\/jozef-grabski-the-significance-of-shape-and-colour-essays-on-art-mostly-of-the-italian-renaissance\/","title":{"rendered":"J\u00f3zef Grabski<br> <I>The Significance of Shape and Colour. Essays on Art, Mostly of the Italian Renaissance<\/I>"},"content":{"rendered":"\n<ul><li>Cracow 2016<\/li><li>285 x 222 mm, laminated hardback<\/li><li>423 pages, 485 colour and b&amp;w illustrations<\/li><li>ISBN 978-83-89831-27-9<\/li><\/ul>\n\n\n\n<p>&#8216; [\u2026] the studies presented here offer in many aspects a new and deepened view of the Italian Renaissance. They combine a stylistic and iconographic analytical procedure with numerous facts or relevant connotations taken from the realm of cultural history and the history of ideas. In London, the art historians at the Courtauld Institute were traditionally characterized \u2013 though of course in a cum grano salis manner \u2013 as the \u201ceye people\u201d, those at the Warburg as the \u201cmind people\u201d. Grabski obviously belongs to both groups&#8217;.<\/p>\n\n\n\n<p>From the Preface&nbsp;by Prof. Sergiusz Michalski<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" width=\"386\" height=\"500\" src=\"https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2021\/02\/TheSignificanceOfShapeAndColour.jpg\" alt=\"\" class=\"wp-image-2394\" srcset=\"https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2021\/02\/TheSignificanceOfShapeAndColour.jpg 386w, https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2021\/02\/TheSignificanceOfShapeAndColour-232x300.jpg 232w, https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2021\/02\/TheSignificanceOfShapeAndColour-116x150.jpg 116w\" sizes=\"(max-width: 386px) 100vw, 386px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h4>CONTENTS<\/h4>\n\n\n\n<p>Preface<\/p>\n\n\n\n<p>Introduction<\/p>\n\n\n\n<p><em>Amor-Pantheos<\/em>\u00a0by Donatello<\/p>\n\n\n\n<p><em>Dignitas Figurae<\/em>. Andrea Mantegna: the Relationship Between Sculpture and Painting<\/p>\n\n\n\n<p>The Medals of the Polish Royal Family by G. M. Mosca (il Padovano) in the Former Collection of the Dukes d\u2019Este in Modena<\/p>\n\n\n\n<p>On the Relations Between the Portraits and Symbols in the Portrait Painting of Lorenzo Lotto:<em>\u00a0Portrait of a Young Man with a Lamp, Triple Portrait of a Goldsmith and Portrait of a Thirty-seven Years Old Man<\/em><\/p>\n\n\n\n<p>The Portrait of Caterina Cornaro in Lorenzo Lotto\u2019s<em>\u00a0Adoration of the Christ Child\u00a0<\/em>in the National Museum in Cracow<\/p>\n\n\n\n<p>The\u00a0<em>Madonna della Rovere<\/em>: Raphael in the Workshop of Pietro Perugino<\/p>\n\n\n\n<p>The Lost\u00a0<em>Portrait of a Young Man<\/em>\u00a0(Attributed to Raphael) from the Collection of the Princes Czartoryski Family in Cracow. A Contribution to Studies on the Typology of the Renaissance Portrait<\/p>\n\n\n\n<p>The Role of Portraiture in the Narrative and Religious Works of Sebastiano del Piombo: his Possible Self-Portraits and Artistic Dialogue with Michelangelo and Raphael<\/p>\n\n\n\n<p>The Rhymes of Love of Paris Bordon: Visual Structures and Renaissance Poetry<\/p>\n\n\n\n<p><em>Mundus amoris \u2013 amor mundus<\/em>: Titian\u2019s\u00a0<em>Allegory of Love\u00a0<\/em>in the Louvre<\/p>\n\n\n\n<p>Victoria Amoris: Titian\u2019s\u00a0<em>Venus of Urbino<\/em>. A Commemorative Allegory of Marital Love<\/p>\n\n\n\n<p>The Contribution of Collaborators in Titian\u2019s Late Works<\/p>\n\n\n\n<p>The Group of Paintings by Tintoretto in the Sala Terrena in the Scuola di San Rocco in Venice and their Relationship to the Architectural Structure<\/p>\n\n\n\n<p>Angelo Caroselli\u2019s Alchemical Painting in the Fondazione Roberto Longhi in Florence<\/p>\n\n\n\n<p>On Seicento Painting in Naples: Some Observations on Bernardo Cavallino, Artemisia Gentileschi and Others<\/p>\n\n\n\n<p>The Corsini\u00a0<em>Flagellation<\/em>\u00a0Group by Alessandro Algardi<\/p>\n\n\n\n<p>\u201cPerfectionis Vanitas\u201d<\/p>\n\n\n\n<p>Original places of publication<\/p>\n\n\n\n<p>Index<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216; [\u2026] the studies presented here offer in many aspects a new and deepened view of the Italian Renaissance. They combine a stylistic and iconographic analytical procedure with numerous facts or relevant connotations taken from the realm of cultural history and the history of ideas. <\/p>\n","protected":false},"author":3,"featured_media":2394,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ub_ctt_via":""},"categories":[29],"tags":[],"featured_image_src":"https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2021\/02\/TheSignificanceOfShapeAndColour.jpg","author_info":{"display_name":"Irsa","author_link":"https:\/\/www.irsa.com.pl\/index.php\/author\/irsa\/"},"_links":{"self":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts\/2392"}],"collection":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/comments?post=2392"}],"version-history":[{"count":7,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts\/2392\/revisions"}],"predecessor-version":[{"id":2407,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts\/2392\/revisions\/2407"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/media\/2394"}],"wp:attachment":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/media?parent=2392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/categories?post=2392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/tags?post=2392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}