The present volume brings together a collection of fourteen articles, written in French, German and English, originally published between 1962 and 2011, devoted to different ways in which ecclesiastical teaching shaped the art of medieval Latin Europe, a theme that has preoccupied the author for his entire scholarly career. His main area of interest have been works of art (in particular liturgical vessels and manuscripts) with unique iconographies unprecedented in the history of art.<\/p>\n\n\n\n
Since their initial publication, various issues addressed in the papers have benefitted from new art historical research. The author has attempted to provide a selection from the now vast, pertinent literature in the updated references to individual papers included in the present volume.<\/p>\n\n\n\n
The papers having been revamped, the book now boasts an entirely new set of over 500 illustrations, mostly in colour, which additionally boost the \u2013 already classic \u2013 scholarship of Piotr Skubiszewski.<\/p>\n\n\n\n
Piotr Skubiszewski<\/strong> (born in 1931) studied art history at the University of Pozna\u0144 where he was awarded a doctorate in 1958. He was a lecturer at the University of Pozna\u0144 from 1953 to 1963, professor at Warsaw University from 1967 to 2001 and at Poitiers University from 1981 to 1999, visiting professor at Uppsala University in 1967 and at Kansas University in 1975. He has also lectured at a number of European, American and Canadian universities and in Israel. He is the author of some 270 articles and books mostly on late Gothic sculpture, early medieval art in Latin Europe, early medieval and Romanesque minor arts and illuminated manuscripts, medieval iconography and methodology of art history. He is a member of the Polish Academy of Sciences and of a number of other European academic societies.<\/p>\n\n\n\n Preface<\/strong> <\/p>\n\n\n\n Introduction<\/strong><\/p>\n\n\n\n \u00dcber die \u201eGrenzen\u201c in der Fr\u00fchmittelalterforschung. Der \u201eBecher\u201c von W\u0142oc\u0142awek<\/p>\n\n\n\n L\u2019intellectuel et l\u2019artiste face \u00e0 l\u2019oeuvre \u00e0 l\u2019\u00e9poque romane<\/p>\n\n\n\n Maiestas Domini <\/em>et liturgie<\/p>\n\n\n\n La place de la Descente aux Enfers dans les cycles christologiques du Moyen \u00c2ge<\/p>\n\n\n\n Ecclesia<\/em>, Christianitas<\/em>, Regnum <\/em>et Sacerdotium <\/em>dans l\u2019art des Xe et XIe si\u00e8cles. Id\u00e9es et structures des images<\/p>\n\n\n\n Le trumeau et le linteau de Moissac :un cas de symbolisme m\u00e9di\u00e9val<\/p>\n\n\n\n Une Annonciation \u00e0 deux anges \u00e0 Issoire<\/p>\n\n\n\n La Croix et les griffons. \u00c0 propos d\u2019un tympan roman de Wi\u015blica<\/p>\n\n\n\n Deux consoles chartraines : Le ma\u00eetre d\u2019oeuvre et son \u00ab patron \u00bb devant le Jugement Dernier<\/p>\n\n\n\n Un manuscrit peint de la Vita Radegundis <\/em>conserv\u00e9 \u00e0 Poitiers. Les id\u00e9es hagiographiques de Venance Fortunat et la spiritualit\u00e9 monastique du XIe si\u00e8cle<\/p>\n\n\n\n Une Vita sancti Martini <\/em>illustr\u00e9e de Tours. Tours, Biblioth\u00e8que Municipale, ms. 1018<\/p>\n\n\n\n Die Bildprogramme der romanischen Kelche und Patenen<\/p>\n\n\n\n The Iconography of a Romanesque Chalice from Trzemeszno<\/p>\n\n\n\n La pat\u00e8ne de Kalisz. Contribution \u00e0 l\u2019\u00e9tude du symbolisme typologique dans l\u2019iconographie<\/p>\n\n\n\n Orders can be placed via email irsa@irsa.com.pl.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" The present volume brings together a collection of fourteen articles, written in French, German and English, originally published between 1962 and 2011, devoted to different ways in which ecclesiastical teaching shaped the art of medieval Latin Europe, a theme that has preoccupied the author for his entire scholarly career. <\/p>\n","protected":false},"author":3,"featured_media":3053,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ub_ctt_via":""},"categories":[29],"tags":[],"featured_image_src":"https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2021\/12\/Skubiszewski-Piotr_Studies-in-Medieval-Iconography.jpg","author_info":{"display_name":"Irsa","author_link":"https:\/\/www.irsa.com.pl\/index.php\/author\/irsa\/"},"_links":{"self":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts\/3038"}],"collection":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/comments?post=3038"}],"version-history":[{"count":21,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts\/3038\/revisions"}],"predecessor-version":[{"id":3517,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts\/3038\/revisions\/3517"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/media\/3053"}],"wp:attachment":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/media?parent=3038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/categories?post=3038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/tags?post=3038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2021\/12\/Skubiszewski-Piotr_Studies-in-Medieval-Iconography-792x1024.jpg\")
<\/figure><\/div>\n\n\n\nCONTENTS<\/h4>\n\n\n\n