{"id":3223,"date":"2022-11-24T13:37:58","date_gmt":"2022-11-24T12:37:58","guid":{"rendered":"https:\/\/www.irsa.com.pl\/?p=3223"},"modified":"2023-01-19T10:44:16","modified_gmt":"2023-01-19T09:44:16","slug":"a-new-issue-of-artibus-et-historiae-85-2022-has-appeared","status":"publish","type":"post","link":"https:\/\/www.irsa.com.pl\/index.php\/2022\/11\/24\/a-new-issue-of-artibus-et-historiae-85-2022-has-appeared\/","title":{"rendered":"A new issue of <I>Artibus et Historiae<\/I>, 85, 2022, has appeared"},"content":{"rendered":"\n<p>Papers included in the volume concern subjects ranging from early Rennaissance sculpture, to Venetian paintings  by Giovanni Bellini, to the collection of gilt-leather wall-hangings of king Augustus II the Strong, collaboration between the artist Christoffer Wilhelm Eckersberg and the mathematician and astronomer Georg Frederick Ursin.<\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2022\/11\/AeH85_2022.jpg\" alt=\"\" class=\"wp-image-3224\" width=\"512\" height=\"558\" srcset=\"https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2022\/11\/AeH85_2022-274x300.jpg 274w, https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2022\/11\/AeH85_2022-137x150.jpg 137w, https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2022\/11\/AeH85_2022-768x839.jpg 768w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h4>CONTENTS<\/h4>\n\n\n\n<p><strong>Luba Freedman<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sandro Botticelli\u2019s Cupid in Lorenzo di Pierfrancesco\u2019s Anteroom (pp. 9-49)<\/p>\n\n\n\n<p><strong>Marilyn Aronberg Lavin<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bellini\u2019s Frick <em>Saint Francis<\/em> and the Source of the Absent Side Wound (pp. 51-87)<\/p>\n\n\n\n<p><strong>Michael Douglas-Scott<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u2018Ianua Poli\u2019: The Pesaro Triptych by Giovanni Bellini in the Frari, Venice (pp. 89-143)<\/p>\n\n\n\n<p><strong>Marcin Fabia\u0144ski&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; King John Albert Jagiellonian and Francesco Fiorentino: The First Italian Renaissance Tomb in Poland (pp. 145-184)<\/p>\n\n\n\n<p><strong>Giancarlo Fiorenza<\/strong>&nbsp;&nbsp;&nbsp;&nbsp; <em>Bononia docet<\/em>: Marcantonio Raimondi, Humanism, and Artisanal Culture in Renaissance Bologna (pp. 185-207)<\/p>\n\n\n\n<p><strong>Meredith J. Gill and William E. Wallace<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Final Calling (pp. 209-220)<\/p>\n\n\n\n<p><strong>Ojcumi\u0142a Sieradzka-Malec<\/strong> &nbsp;&nbsp; Die Sammlung der Goldledertapeten des August II. im K\u00f6niglichen Schloss auf dem Wawel-H\u00fcgel in Krakau (pp. 221-275)<\/p>\n\n\n\n<p><strong>Roberta J. M. Olson and Jay M. Pasachoff<\/strong>&nbsp;&nbsp; Shedding Light on Danish Art and Astronomy during the \u2018Golden Age\u2019 (pp. 277-303)<\/p>\n\n\n\n<p><strong>Conrad Rudolph<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oliva and Gaulli\u2019s Program at the Ges\u00f9 and the Jesuit Conception of the End of the History of Salvation (Part 1) (pp. 305-335)<\/p>\n\n\n\n<p><strong>Claire Pace<\/strong>&nbsp;&nbsp;&nbsp;&nbsp; \u2018The Beautiful Landscape Made for M. de Bourlemont\u2019: Claude Lorrain\u2019s Painting of<em> Moses and the Burning Bush <\/em>and Other Works for the Sieur de Bourlemont (pp.  337-361)<\/p>\n\n\n\n<p><strong>Zbigniew Michalczyk\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The <em>Triumph of Saint Benedict<\/em> at the National Museum in Pozna\u0144. Between Paul Troger and Jan Bogumi\u0142 Plersch (pp. 363-384)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>More information about the issue can be found <a href=\"https:\/\/artibusethistoriae.org\/issue86.html\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Papers included in the volume concern subjects ranging from early Rennaissance sculpture, to venetian paintings  by Giovanni Bellini, to the collection of gilt-leather wall-hangings of king Augustus II the Strong, collaboration between the artist Christoffer Wilhelm Eckersberg and the mathematician and astronomer Georg Frederick Ursin.<\/p>\n","protected":false},"author":3,"featured_media":3224,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ub_ctt_via":""},"categories":[28],"tags":[],"featured_image_src":"https:\/\/www.irsa.com.pl\/wp-content\/uploads\/2022\/11\/AeH85_2022.jpg","author_info":{"display_name":"Irsa","author_link":"https:\/\/www.irsa.com.pl\/index.php\/author\/irsa\/"},"_links":{"self":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts\/3223"}],"collection":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/comments?post=3223"}],"version-history":[{"count":11,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts\/3223\/revisions"}],"predecessor-version":[{"id":3309,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/posts\/3223\/revisions\/3309"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/media\/3224"}],"wp:attachment":[{"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/media?parent=3223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/categories?post=3223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.irsa.com.pl\/index.php\/wp-json\/wp\/v2\/tags?post=3223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}