- Cracow 2016
- 285 x 222 mm, laminated hardback
- 423 pages, 485 colour and b&w illustrations
- ISBN 978-83-89831-27-9
‘ […] the studies presented here offer in many aspects a new and deepened view of the Italian Renaissance. They combine a stylistic and iconographic analytical procedure with numerous facts or relevant connotations taken from the realm of cultural history and the history of ideas. In London, the art historians at the Courtauld Institute were traditionally characterized – though of course in a cum grano salis manner – as the “eye people”, those at the Warburg as the “mind people”. Grabski obviously belongs to both groups’.
From the Preface by Prof. Sergiusz Michalski
CONTENTS
Preface
Introduction
Amor-Pantheos by Donatello
Dignitas Figurae. Andrea Mantegna: the Relationship Between Sculpture and Painting
The Medals of the Polish Royal Family by G. M. Mosca (il Padovano) in the Former Collection of the Dukes d’Este in Modena
On the Relations Between the Portraits and Symbols in the Portrait Painting of Lorenzo Lotto: Portrait of a Young Man with a Lamp, Triple Portrait of a Goldsmith and Portrait of a Thirty-seven Years Old Man
The Portrait of Caterina Cornaro in Lorenzo Lotto’s Adoration of the Christ Child in the National Museum in Cracow
The Madonna della Rovere: Raphael in the Workshop of Pietro Perugino
The Lost Portrait of a Young Man (Attributed to Raphael) from the Collection of the Princes Czartoryski Family in Cracow. A Contribution to Studies on the Typology of the Renaissance Portrait
The Role of Portraiture in the Narrative and Religious Works of Sebastiano del Piombo: his Possible Self-Portraits and Artistic Dialogue with Michelangelo and Raphael
The Rhymes of Love of Paris Bordon: Visual Structures and Renaissance Poetry
Mundus amoris – amor mundus: Titian’s Allegory of Love in the Louvre
Victoria Amoris: Titian’s Venus of Urbino. A Commemorative Allegory of Marital Love
The Contribution of Collaborators in Titian’s Late Works
The Group of Paintings by Tintoretto in the Sala Terrena in the Scuola di San Rocco in Venice and their Relationship to the Architectural Structure
Angelo Caroselli’s Alchemical Painting in the Fondazione Roberto Longhi in Florence
On Seicento Painting in Naples: Some Observations on Bernardo Cavallino, Artemisia Gentileschi and Others
The Corsini Flagellation Group by Alessandro Algardi
“Perfectionis Vanitas”
Original places of publication
Index