Exhibition Catalogues

Catalogue of works by Beata Sarapata presents her artistic output in relation to works of art created by Aboriginal Australians.

Catalogue of exhibitions organized in Tarnów in and in Rzeszów in 2001-2002 presents four parts of Mała Panorama Racławicka painted by Wojciech Kossak and Jan Styka.

Catalogue of the exhibition of paintings of Aleksander Kobzdej (1920–1972), held on the thirtieth anniversary of the artist’s death. The catalogue contains full-page colour reproductions of all exhibited works, which come mostly from the collection of the artist’s family and were hitherto rarely exhibited.

Catalogue accompanying the exhibition of works of Krystyna Schwarzer-Litwornia, held at the Kordegarda Gallery in Warsaw (November 2002 – January 2003). The book presents the most important of the works so far realised by the artist: both her small glass sculptures and larger, sculptures-installations, of which the most recent one is ‘Daedalus and Icarus’.

Catalogue of the exhibition of paintings by Ryszard Winiarski (1936–2006), a renowned Polish abstract artist.

A richly illustrated catalogue, accompanying an exhibition organized in Cracow on the occasion of the fiftieth birthday of Stasys Eidrigevičius – a celebrated Polish contemporary artist of Lithuanian origin.

“The collection of Polish art that has been created during the last twenty years by Wojciech Fibak is undoubtedly one of the most interesting assemblages accomplished by a Pole in the 20th c.”

“The collection of Polish art that has been created during the last twenty years by Wojciech Fibak is undoubtedly one of the most interesting assemblages accomplished by a Pole in the 20th c.”

The famous portrait was lent by the Czartoryski Collection, National Museum, Cracow, to the National Gallery of Art, Washington, D.C., for the exhibition Circa 1492. Art in the Age of Exploration (October 1991 – January 1992). This book was prepared in order to help introduce the work, hitherto very rarely seen outside Poland, to the American public.

An exhibition, held in the summer of 1991 at the Wawel Royal Castle in Cracow, juxtaposed two fascinating versions of a painting recently discovered to be the earliest dated work by Jan Vermeer.