LEON TARASEWICZ. Milano 2003
Catalogue of an exhibition of works by Leon Tarasewicz (b. 1957), a celebrated Polish contemporary artist entitled Leon Tarasewicz meets Michele De Lucchi at the Lawrence Rubin Gallery in Milan.
Catalogue of an exhibition of works by Leon Tarasewicz (b. 1957), a celebrated Polish contemporary artist entitled Leon Tarasewicz meets Michele De Lucchi at the Lawrence Rubin Gallery in Milan.
Catalogue of the exhibition of drawings by Jerzy Tchórzewski (1928–1999), containing reproductions of 162 drawings (44 of them additionally as full-page illustrations), dating from different periods of the artist’s career.
Catalogue of works by Beata Sarapata presents her artistic output in relation to works of art created by Aboriginal Australians.
Catalogue of exhibitions organized in Tarnów in and in Rzeszów in 2001-2002 presents four parts of Mała Panorama Racławicka painted by Wojciech Kossak and Jan Styka.
Catalogue of the exhibition of paintings of Aleksander Kobzdej (1920–1972), held on the thirtieth anniversary of the artist’s death. The catalogue contains full-page colour reproductions of all exhibited works, which come mostly from the collection of the artist’s family and were hitherto rarely exhibited.
Catalogue accompanying the exhibition of works of Krystyna Schwarzer-Litwornia, held at the Kordegarda Gallery in Warsaw (November 2002 – January 2003). The book presents the most important of the works so far realised by the artist: both her small glass sculptures and larger, sculptures-installations, of which the most recent one is ‘Daedalus and Icarus’.
Catalogue of the exhibition of paintings by Ryszard Winiarski (1936–2006), a renowned Polish abstract artist.
This comprehensive survey uncovers a new and as yet unknown face of the artist, surprising with the sheer range of artistic conventions he used and the wealth of his inspirations. The selection of works presented here may significantly change the artistic image of Jerzy Tchórzewski as well as opinions about his painted oeuvre.
This book discusses the history and significance of the first abstract reliefs and presents numerous hitherto unpublished documents and an interpretation that casts a new light on the history of modern art, both Russian (Malewicz, Popova, Exter and other artists) and Western (Boccioni or Brancusi).
This book is the result of a conference that was held at the Cracow Conference Centre at Tomaszowice Manor from 14 to 16 May 2017. Co-organised by the Institute of Art History at the Jagiellonian University and the Jan Matejko Academy of Fine Arts in Cracow, the conference was titled DeMATERIALISATIONS in Art and Art-Historical Discourse in the Twentieth Century.
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